Curating AI: Design & Responsibility in Cultural Institutions

Creative Futures

Apr28.

Artificial intelligence is changing creative processes quickly and noticeably. But how can it be used sensibly and responsibly in cultural organisations?

This panel brings two concrete practical examples from Berlin to the stage. The AI-supported campaign development for the Deutsche Oper Berlin and the redesign of the visitor app for the Museum Barberini. We will show how AI expands creative diversity and allows teams to work confidently with technology. And how it simultaneously streamlines processes, relieves resources and consistently aligns offerings with users.

The focus is on tools, design processes and learning, as well as ethical issues and the role of AI in the interaction between cultural institutions and agencies. A realistic, encouraging look at a creative economy that embeds technology critically and consciously places human creativity at the centre.

In cooperation with Stan Hema.

Format: Panel

Stage: Alabama Cinema

Programm

Apr28.

Let's Join Creative Forces! Networking, Music & Drinks

Together we are stronger – and that's why connecting in a relaxed atmosphere is one of the highlights of the GCES. Stakeholders and initiatives, speakers and funding organisations, associations and company representatives come together at Kampnagel to engage in dialogue.

Format: Networking

Stage: Foyer

Apr28.

Film Screening: Der Unternehmer das Dorf und die Künstler

An entrepreneur and two conceptual artists are planning an unusual kind of event in Deppendorf: a publicity stunt, instrumentalisation - or the rousing power of art? The controversial idea creates meaning and community until the limits of what is reasonable are reached. The film tells the story of the art action "Fliegen retten in Deppendorf", planned and documented in 2012, in all its ambivalence, absurdity and humanity - as a found-footage story without judgement. At the same time, it shows how the action triggered a change in the company that continues to this day and the "Save instead of kill" movement.

A film by Marcelo Busse and Julia Suermondt.

Format: Filmvorführung

Stage: Alabama Cinema

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